PROGRAM
Days: Sunday, September 11th Monday, September 12th Tuesday, September 13th Wednesday, September 14th
Sunday, September 11th
View this program: with abstractssession overviewtalk overview
17:00-18:00 Session 1: Keynote
Chair:
Location: Konzertsaal FAL (AW V0249)
| 17:00 | Violin acoustics: the quest for correlating perceptual qualities, construction parameters and acoustical properties (abstract) |
Monday, September 12th
View this program: with abstractssession overviewtalk overview
09:00-12:00 Session 2: woodwinds
Chairs:
Location: Konzertsaal FAL (AW V0249)
| 09:00 | Observations of hysteretic behavior in the recorder (abstract) |
| 09:20 | Lattice Boltzmann Modeling of a Single-Reed Instrument Using a Time-Domain Impedance Boundary Condition (abstract) |
| 09:40 | Measuring saxophone reed motion and strain with stroboscopic digital image correlation. (abstract) |
| 10:00 | Mass Personalization of Saxophone Mouthpieces with Digital Manufacturing (abstract) |
| 10:20 | The duduk: cylindrical oboe or double reed clarinet? (abstract) |
| 10:40 | A transfer matrix for the cone with losses (abstract) |
| 11:00 | Spectrum difference between the German Fagott and the French Basson (abstract) |
| 11:20 | Acoustical Analysis of the Chinese Transverse Flute (dizi) Using the Transfer Matrix Method (abstract) |
| 11:40 | Regime-change-induced deflection of aeroacoustic flow in flute-like instruments with a hysteresis region (abstract) |
12:00-13:20Lunch Break
13:20-15:40 Session 3: plucked string instruments
Chairs:
Location: Konzertsaal FAL (AW V0249)
| 13:20 | Archive for the acoustical documentation of classical Spanish guitars, flamenco guitars and romantic guitars from private and public collections (abstract) |
| 13:40 | Towards Acoustic Copies of Guitars – Predicting the Effect of Geometry Modifications on Guitar Soundboards (abstract) |
| 14:00 | A Self-Contained and Automated Tonewood Measurement Device (abstract) |
| 14:20 | On the use of thermally-aged wood for the top plate of plucked string instruments (abstract) |
| 14:40 | Material & Structural Properties of Guitar Soundboards : Optimization of a Bracing Pattern (abstract) |
| 15:00 | Wooden Metamaterials for Instrument Making (abstract) |
| 15:20 | Investigation of string's influence on the acoustic signature of Central Africa harp (abstract) |
15:40-16:00Coffee Break
16:00-17:00 Session 4: Public Tutorial Lecture
Chair:
Location: Konzertsaal FAL (AW V0249)
| 16:00 | Virtual-Acoustic Instruments (abstract) |
17:00-19:00 Session 5: Poster / Demo
Location: Bankettsaal (AW SEG23)
Measurement Procedures for the Workshop - Speed of sound (abstract) |
Envelope functions as approximations for long-term average sound spectra of different pipe organ ranks and the influence of pitch on tonal timbre (abstract) |
Design principles of pipe organ Mixtures – viewed from a psycho-acoustic position (abstract) |
Material Parameter Identification of Complete Guitars – Accomplishments and Limitations (abstract) |
The Sound of Bells in Data Cells - Perceived quality and pleasantness of church bell chimes (abstract) |
Measuring Audio-Visual Latencies in Virtual Reality Systems (abstract) |
A “smart mouthpiece”, for the autonomous analysis and improvement of brass musician performances (abstract) |
The listening eye: pupil dilation reflects Bayesian believe updating in dynamic auditory scenes (abstract) |
Non-rigid registration of photogrammetrically reconstructed pinna point clouds for the calculation of head-related transfer functions (abstract) |
Describing minimum bow force using Impulse Pattern Formulation (IPF) – an empirical validation (abstract) |
A virtual-acoustic slide-string instrument (abstract) |
Experimental Sonatas, both Ancient and Modern: Comparing and Conjoining Early Acoustic Instruments to Electronic Audio Technologies (abstract) |
Identification of violin timbre by neural network using acoustic features (abstract) |
AURA3D - An Ambisonics System at ESML (abstract) |
How are vocal harmonics, octave equivalence, and consonance preference connected? (abstract) |
Musical podia: A evaluation method for measurements of the acoustic properties (abstract) |
Towards a piano tuning tool (abstract) |
Cross-validation of acquisition methods for near-field Head-Related Transfer Functions with a high distance resolution (abstract) |
Pilot study on the perceptual quality of close-mic recordings in auralization of a string ensemble (abstract) |
19:00-20:00Snack Break (Jause)
20:00-21:00 Concert - Tom Beghin, pianoforte
Concert: Beethoven and His French Piano by Tom Beghin (Duration approx 70 min.)
Location: Konzertsaal FAL (AW V0249)
Tuesday, September 13th
View this program: with abstractssession overviewtalk overview
09:00-10:00 Session 6: Keynote
Chair:
Location: Konzertsaal FAL (AW V0249)
| 09:00 | Beethoven’s French Piano: Affordances and Entanglements (abstract) |
10:20-11:00 Session 7: piano
Chair:
Location: Konzertsaal FAL (AW V0249)
| 10:20 | The challenges of a five octave toy piano (abstract) |
| 10:40 | Modelling the interaction between piano strings and the soundboard (abstract) |
11:00-11:40 Session 8: bowed-string instruments
Chair:
Location: Konzertsaal FAL (AW V0249)
| 11:00 | Investigating the cello position, bow motion and cellist posture using motion capture (abstract) |
| 11:20 | Correlations between bowed string transients and bow quality (abstract) |
11:40-13:00Lunch Break
13:00-15:20 Session 9: timbre & directivity
Chairs:
Location: Konzertsaal FAL (AW V0249)
| 13:00 | The perceptual pleasantness of low-register instruments (abstract) |
| 13:20 | How can we approach the topic of tone-to-tone timbre variability of historical instruments? (abstract) |
| 13:40 | AMT 1.x: The Auditory Modeling Toolbox for Reproducible Research in Music Acoustics (abstract) |
| 14:00 | A method for tracking the frequencies and amplitudes of partials in transient musical signals (abstract) |
| 14:20 | Representing directivities and other spatial data by means of the spatially oriented format for acoustics (abstract) |
| 14:40 | Analysis and modelling of bassoon directivity (abstract) |
| 15:00 | Musical podia: Introduction to a measurement method to identify the acoustic properties (abstract) |
15:20-15:40Coffee Break
15:40-18:00 Session 10: organology
Chairs:
Location: Konzertsaal FAL (AW V0249)
| 15:40 | Trumpets in China's Qing Dynasty: Form, Function, and Terminology (abstract) |
| 16:00 | Serpents, Bombardons, and the ‘Wiener’ Tuba: Richard Wagner and the evolution of the orchestral contrabass labrosone (abstract) |
| 16:20 | Nonlinear sound propagation and spectral enrichment in brass instruments. (abstract) |
| 16:40 | Spectral enrichment prediction as an approach to the comparison of brass instrument designs (abstract) |
| 17:00 | Videographic Analysis of the Brass Player's Embouchure: Conclusions and Conjectures (abstract) |
| 17:20 | The Art of the Band Instrument Endorsement Deal (abstract) |
| 17:40 | Understand and predict acoustic properties of heritage instruments: the case of a Besson trumpet of the Musée de la Musique of Paris (abstract) |
Wednesday, September 14th
View this program: with abstractssession overviewtalk overview
09:20-10:20 Session 11: idiophones
Chair:
Location: Konzertsaal FAL (AW V0249)
| 09:20 | Transient and mode shape laser interferometry measurements of the asymmetric vibrations in a Balinese gender dasa bronze plate (abstract) |
| 09:40 | A Hybrid Finite-Element/Modal Sound Radiation Model for Idiophones (abstract) |
| 10:00 | Physical model of Cristal Baschet : influences of design rules on produced sound and playability (abstract) |
10:20-12:00 Session 12: brass, reeds and more
Chair:
Location: Konzertsaal FAL (AW V0249)
| 10:20 | Filtered sound – The impact of aerosol filters on the sound of brass instruments (abstract) |
| 10:40 | Comparison of numerical results with perceptual evaluations from trumpet players (abstract) |
| 11:00 | Physical modelling synthesis of harmonium and related free reed instruments (abstract) |
| 11:20 | Experimental Investigation of the Driving Mechanism in Spring Reverberation Tanks (abstract) |
| 11:40 | Laser Doppler initial transient bending wave propagation measurements of a harpsichord soundboard (abstract) |
12:00-13:00Lunch Break
13:00-14:40 Session 13: organ pipes
Chair:
Location: Konzertsaal FAL (AW V0249)
| 13:00 | Preliminary analysis of organ buffet radiation under musically realistic excitation mechanism (abstract) |
| 13:20 | Visualization of air flow in flue organ pipes (abstract) |
| 13:40 | THE CHANGES IN LABIAL AIR JET MOVEMENTS, IN TONE SPECTRA AND IN ORGAN PIPE SOUND PERCEPTION CAUSED BY CHANGES OF LABIAL OPENING HEIGHT AND AIR PRESSURE (abstract) |
| 14:00 | A review of technical inventions to include deep bass tones into pipe organs despite space constraints (abstract) |
| 14:20 | Perceptual Influence of Directivity on Pipe Organ Auralization (abstract) |
18:00-22:00 Winery (Heuriger)
The bus 35A brings you directly to the Heuriger (Fuhrgassl-Huber, Weingut und Buschenschank, Neustift am Walde 68, 1190 Vienna).
Walk to Stadtpark or to Wien Mitte and take the metro U4 until Spittelau (direction Heiligenstadt). In Spittelau, walk for around 4 minutes past the impressive Spittelau waste incinerator by architect Hundertwasser (colorful tower). Turn to the left at Josef-Holaubek-Platz and cross the street. Here you will find the end of the bus line 35A. Take this bus to Neustift am Walde (direction Salmannsdorf) to arrive at the Heuriger! Duration: around 50 minutes.
Alternatives: U3 + U6 until Nußdorfer Straße and take the Bus 35A there.
Taxi: Tel. +43 1 60 160, Tel. +43 1 40 100, Tel. +43 1 31 300